Lampada in transparent PETG lamp
Untitled (L·01)
2026
Untitled (L·01) is a sculptural lamp that extends my artistic practice into the territory of the functional object. The work originates from an investigation into how digital images, memories, and visual fragments from my personal archive can move from the screen into a physical, tactile, and luminous body.
Its form is generated through digital processes and develops as a sedimentation of layers: everyday images, gestures, and fragmented memories that, once processed through software, cease to function as flat images and become volume. This transition between the virtual and the material is a recurring concern in my practice, where I approach the image not only as representation but as something capable of acquiring weight, texture, and spatial presence.
The piece is produced through 3D printing in transparent PETG, a translucent material that allows light to filter from within. A velvet flocking finish made of acrylic paint, adhesive resin, and nylon fibres transforms the surface. The flocking softens the traces of the printing process, absorbs external light, and creates a matte, textile quality, introducing a tension between the technical and the organic, the digital and the bodily.
Light remains hidden beneath the object through a small circular LED panel, appearing as an internal presence rather than an added element. Instead of direct illumination, the work emits a contained glow that moves through its translucent areas and reinforces the idea of the latent image — memory appearing only partially, filtered through matter.
As an object, Untitled (L·01) occupies a position between sculpture, lamp, and landscape fragment. Its domestic scale engages everyday use while preserving a speculative dimension.
In this sense, the work relates to the idea of Border: not as a fixed one, but as a space of transition and transformation. Between image and object, archive and matter, interior and exterior, the piece inhabits a threshold where the digital and the physical remain in constant exchange.
Lola Zoido (Zafra, Badajoz, Spain, 1994) lives and works in Madrid. She holds a degree in Fine Arts from the University of Seville and an MA in Art Research and Creation from the Complutense University of Madrid. Her multidisciplinary practice explores the relationships between image, technology, memory, and materiality. Her work stems from an analytical and poetic approach to digital processes, investigating how we construct reality at the intersection of the physical and the virtual. Through media such as digital imagery, 3D modelling, sculpture, installation, and 3D printing, she addresses questions related to landscape, territory, archives, and contemporary forms of perception. Her work has been exhibited at venues including La Casa Encendida, IVAM, CentroCentro, C3A, Centro del Carmen, Fabra i Coats, ARCO Madrid, and various national and international galleries.
The Badr El Jundi Foundation, based in Madrid, grounds its mission in the belief that art can have a strong social impact and contribute to generating meaningful change in society.
Our work extends beyond exhibitions to connect contemporary art with health, education, and community well-being.
Through collaborations with hospitals, orphanages, educational institutions, and social organizations, we create initiatives that bring artistic experiences into contexts where creativity can encourage dialogue, reflection, and human connection. We support encounters between artists and diverse communities, creating opportunities for participation and cultural access.
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